To View The Sky; Empty Hand Part 5

Following on from Empty Hand Part 4, your friendly neighbourhood Rogue Advisor presents you the with next mighty Kata in order of advancement through the formal Karate gradings.

Kanku Dai is the longest Kata in the Shotokan syllabus, with 65 movements and is the most complex and demanding Kata thus far.

It is the first of two Kanku katas; they do not follow the Embusen or ‘H’ shaped path, like the Heian Katas. Better start getting used to that, beloved reader, they seldom do from this point on.

That’s right, beloved readers, today we learn one of Shotokan karate’s most symbolic Katas. Ganbatte.

This is a shot of sunset on the South coast of Okinawa. Perhaps the inspiration for the Kata's naming.

This is a shot of sunset on the South coast of Okinawa.
Perhaps the inspiration for the Kata’s naming.

Kata History

Unlike most of the Kata that have Chinese origins, Kanku Dai was created  in Okinawa, rather than adapted and / or modified from the original Kung Fu as some are.

Before being changed to Kanku-dai, the kata was originally called Kushanku, (the Okinawan mis-pronunciation of Kung Siang Chin), the name taken from a Chinese military advisor who visited Okinawa under government orders.

He  resided  in Okinawa from 1756-1761. Kushanku, also called Kosokun in some styles of Karate, was a master of a variety of Chinese Martial Arts. He impressed the natives of Okinawa, by showing off his combat skills by easily dispatching larger opponents.

Sensei Sakugawa. Mighty in Martial skill and radical of beard.

Sensei Sakugawa. Mighty in Martial skill and radical of beard.

Okinawa’s top Martial Artist at that time was Tode Sakugawa. Sakugawa was one of the top students of monk and Astronomer Peichin Takahara. Takahara, sent his student to train under Kushanku as he believed him to be the most skilled Martial Artist to ever to set foot in Okinawa.

Sakugawa studied under Kushanku for 6 years. When Sakugawa was 28 years old, Kushanku passed away and from the teachings left to him devised the Kushanku Kata as a way to honour his instructor and in its own way act as documentation of what he had learned from his teacher.

This illustrates the importance of kata, not only are they the most practical method of Martial practice, but they preserve the knowledge of the techniques.

Although the kata is now named Kanku-dai, it is not an abbreviation of Kushanku. It was when Gichin Funakoshi introduced karate to mainland Japan he gave the Kata a new, Japanese name of Kanku-dai, which means to ‘to view the sky’. He also changed the names of many of the Kata he taught, to have Japanese names, such as the Passai became Bassai.

Once again our instructor will be that 80-year-old guy that can kick seven shades out of all of you

先 生 金 澤 弘 和

Sensei Hirokazu Kanazawa 

Sensei Kanazawa showing perfect form as always. And more nice scenery.

Sensei Kanazawa showing perfect form as always.
And more nice scenery.

観空大

Kanku Dai

The Bunkai

As you can see from the Kata, it contains pretty much all the techniques from the Heian Katas. Kanku Dai is where each of the Heian Katas, (Empty Hand Part 2), are derived, so it’s kind of like a compilation-and-then-some-Kata.

The father of the Heian Katas as it were, most Sensei thinking the Kata too complicated to teach to new students broke it down into 5 easier to learn, shorter Katas.

Until next time. Stay tuned for more.

Breaking Bat; Zero to Hero Fitness guide to Becoming the Dark Geek

That’s right, beloved reader, we continue our epic fitness quest to be closer to a to the greatness of the Bat. Following on from the Dark Geek Returns we take a bold step away from the improvised equipment and possibly even into that foreboding establishment known as a gym. EEK.

As you get more powerful, you too can stand high above city skylines and look cool.

As you get more powerful, you too can stand high above city skylines and look cool.

If you haven’t been following the core exercises from the first and second instalments, then your friendly neighbourhood Rogue Advisor strongly suggest hitting the basics first, beginning with The Dark Geek Rises.

Unless of course you’re already a more advanced athlete or have been studious on your mission to Bat-dom, then read on. There are a some new training concepts to get to grips with. Thus if you are not yet familiar with them be sure to click on the handy links that lead to the articles explaining them.

Gym membership? Or set up your own Batcave?

It's a rather comprehensive Bat-gym, but I wouldn't recommend building it with lego. Looks cool though. Lego rules.

It’s a rather comprehensive Bat-gym, but I wouldn’t recommend building it with Lego.
Looks cool though.
Lego rules.

At this stage you will require actual resistance training equipment, the improvised stuff just won’t cut it at this stage. Whilst a gym has fantastic facilities it is, more often than not filled with under qualified personal trainers, people who think they are personal trainers just because they’re big and off course those that your friendly neighbourhood Rogue Advisor loves to hate; the jocks, meat-heads and gym-rats.

Just look at the twat. A perfect example of a gym-rat, a barely passable physique due to lack of knowledge, yet reckons he knows it all. Avoid these exponents of falsehoods.

Just look at the twat.
A perfect example of a gym-rat, a barely passable physique due to lack of knowledge, and yet probably reckons he knows it all.
Avoid these exponents of falsehoods.

Thus at this stage I would recommend purchasing home equipment, you won’t need much at this stage, and before I suggest what to equip yourself with, I must offer the disclaimer that I am not sponsored by any of these brands, (although I wish I was, Level Up is a skint institution).

I am simply advising on the most inexpensive and effective way for to begin building your own gym.

You’ll need dumbbells like these

http://www.argos.co.uk/static/Product/partNumber/9017362.htm

Free weights are superior to machines because you are supporting the resistance and moving in a kinesiologically correct way.

And a weight training bench like this 

http://www.argos.co.uk/static/Product/partNumber/9063017.htm

Dumbbell benches are the best to start with, When we begin to include barbell exercises a 2 part squat stand will prove to be the next and most versatile piece of workout equipment.

Both suggestions are available at Argos and Amazon, (once again I am not affiliated). Then you’ll have perfectly adequate equipment to be able to avoid the above pictured harbinger of mis-information and his frankly annoying haircut.

Goddamn do I want to slap him.

Training tactics

The training tactic of periodization, (As explained in The X-Factor; Designer Superhero Workout Training Tips and Advice), isn’t plausible in the Bat’s workouts; he must train all the components of fitness in the most efficient manner possible. All his attributes must be top-notch 24 / 7 to keep up with the countless evil-doers of Gotham City.

Must be breakfast time for the bat.

Must be breakfast time for Master Bruce.

By now, advancing as any diligent Bat-fan, you would have progressed to the most advanced of the pre-prescribed exercises. The set and reps will be different now, and you’ll have to familiarise yourself with the concept of pyramiding, (not to be confused with the money-swindling scam).

Pyramiding

Pyramiding is pretty simple; instead of using periodized phases to concentrate on training one component of fitness and more than likely stimulating one muscle fibre type at a time, (This is covered in Designer Superhero workouts Part 2: Asgardian Power-House), for weeks on end, pyramiding hits them all in one efficient workout. Sweet.

By performing 3 sets of 10 / 8 / 6 reps respectively, you’re improving muscular endurance, hypertrophy and strength all in one exercise, but the resistance must increase with each set, but make sure each time it is a weight you can handle without sacrificing perfect form.

This does mean that the ‘rest’ periods between sets will be spent increasing the amount of weight on your newly purchased, (and of course cherished), dumbbells. Alternatively you could purchase several dumbbell sets, budget allowing, to improve the flow of each session.

One of the advantages of the gym. Doesn't it look pretty.

One of the advantages of the gym.
Doesn’t it look pretty.

The Workout

The exercises and exercise order remain the same, with only one essential addition. No more circuit training though , you’ve already built a solid cardio base by performing the workouts in that manner previously. Now it’s down to nice and simple do all the sets and reps for an exercise and then move on to the next.

As for the cardio element, there will be some extracurricular activity for you, but we’ll get to that later. Perform the workout every other day, never on consecutive days, as that will overwork the muscles, decreasing attribute gains, hypertrophy and increase the potential for injury.

Unlike its predecessors, this post is embellished with the best, (but still not perfect), video instructional guides that your friendly neighbourhood Rogue Advisor could find. When viewing these please note only the exercise technique and ignore any other advice.

Such improvisations will only continue until Level Up has financed its own studio facilities to bring you, beloved reader, the complete and bulletproof advice.

Walking lunges: That’s right, beloved bat-fan, the first exercise advancement shows its hypertrophic face straight away. This modified version of lunges will make sprinting a lot quicker.

Incline dumbbell bench press: As you should have now advanced to decline push ups, these should prove no problem for a Dark Knight in the making.

When adjusting the weights bench to the incline position, only move it to the next setting along from the bottom. A commonly made mistake by many is to perform incline chest exercises at a higher incline; this takes the work away from the pectorals and forces more effort on the shoulders at an awkward and potentially injury causing angle.

Dumbbell rows: Without having to improvise using chairs will make this a lot easier to maintain proper form. Even though you may have moved on to the more advanced exercises prescribed in the earlier 2 instalments, you’ll be able add more resistance this way, and really give each side of the lats a good seeing to.

Seated supination curls: Another modification, being seated upright on the bench will eradicate any temptation to ‘swing’ the dumbbell curl, and because you’re supinating during the movement, you will be working biceps brachii, brachialis and brachioradialis, producing nice full and powerful arms.

Yet another common mistake made when adjusting the bench to the upright position, is setting it to the very top position. The human spine just isn’t designed to be that bolt upright and straight. Instead set it to the next placement down from the top; this accommodates the natural curvature of the spine, and sets the bench to the correct position for the next exercise.

Seated dumbbell shoulder press: Only slightly adjusted for the new regime, being seated reduces any chance of the pectorals assisting.

Dumbbell tricep bench press: A tricky exercise, but worth the effort, no more boring bench dipping.

Standing Calf raises: A new exercise. Yay. Calves were already being synergistically worked by the quadricep exercises from the previous routines. now we focus on them.

Bench hip-flexions: A fresh tactic to get those desired by all abdominal ‘washboard’ effect. These will seem really tough at first, trust me, I’ve been through the learning process of fitness just as you are now.

This gruelling exercise is the only exception to the sets and reps rule. perform 4 sets of 15 repetitions, you may not be able to do that many at first, but trust yours truly once again, you’ll build up to it quicker than you think.

But what if we opt for the gym with all its splendid facilities?

If you opt to go to the gym do not sign up at Fitness Worst. It has the highest turnover of clients due to its poorly trained instructors and is severely overpriced.

If you opt to go to the gym do not sign up at Fitness Worst. It has the highest turnover of clients due to its poorly trained instructors and is severely overpriced.

Then there will be some slight adjustments to the workout, minor ones mostly

Replace walking lunges with barbell squats, make sure you use the proper squat station, so if you need to bail out you can drop the bar on the safety rack.

DO NOT use a lumbar support belt. I know it sounds like bad advice but they are actually the leading cause of lower back injury whilst performing squats.

If you really want to bust your back up, there are other ways. DO NOT use the belt.

If you really want to bust your back up, there are other ways.
DO NOT use the belt.

The restriction caused by the heavy-duty and distracting and uncomfortable belt hinders the stabilizing muscles from doing their job correctly. When a muscle is stabilising the working muscles, they are not completely rigid, they constantly but subtly move and adjust to maintain your posture.

The support belt should only be used if you have suffered a previous lower back injury, that’s what they were designed for.

This is the sort of squating station you'll need to use. Note the many safety 'drop points' incase you need to dump the barbell in a hurry.

This is the sort of squating station you’ll need to use.
Note the many safety ‘drop points’ incase you need to dump the barbell in a hurry.

Avoid most of the fancy machines, especially the smith machine like it was a Justin Bieber gig, it doesn’t have a natural range of movement and will do nothing but hinder your form and by proxy your hard-earned training results.

There are a couple of exceptions though; the leg extension machine, (that doesn’t yet apply to the current workout), and the seated and standing calf raise machines. The latter of which will make calf raises a lot more convenient.

If your triceps development has become mighty enough then use the triceps dipping station.

The superior exercises for triceps.  Some gym-rat may 'inform' you that it's a chest exercise.  Falsehood.

The superior exercises for triceps.
Some gym-rat may ‘inform’ you that it’s a chest exercise.
Falsehood.

Lastly, replace dumbbell rows with the consistently effective Bent-over barbell rows:

And of course, don’t forget to stretch after to avoid delayed onset muscle soreness.

Nutrition

Diet basics have already been covered. You know what foods are bad for you, so avoid them, especially carbonated sodas and ‘sports’ drinks. Learn to love water.

You’ll need to eat more than usual to recover from the workouts, those muscles need feeding. Try to fit 4 to 5 meal into your schedule, but make sure they are 3 hours apart at least, otherwise the liver cannot cope with the macronutrient onslaught, which will cause a lot of them to be stored as subcutaneous fat.

Keep it high protein, around 30 to 40 grams per meal, and in the region of 50 grams of carbs, from quality sources such as oats, brown rice and pasta, (cooked Al-dente).

Don’t worry too much about dietary fat; another myth of the fitness industry is that all fat is bad.

Not so. As long as it comes from healthy foods like fish, nuts, seeds and tofu. Be sure to include plenty of green vegetables and fresh fruit too.

What about this dubious sounding extracurricular activity you mentioned?

The Bat is more than just an olympic standard athlete. He has probably the most versatile set of skills ever. Like lock picking, and observational skills; watch some Columbo and Poirot, take notes and augment your detective skills. On non-training days go play some basketball.

Yes, beloved reader, you read that correctly. Basketball, it has a multitude of benefits: That’s where you will be getting your cardio, you’ll have to dodge large ‘opponents’ whilst training target practice, and it improves manual dexterity, a basketball isn’t an easy object to manipulate.

You will be under constant pressure to avoid ‘attacks’, and it will even improve your jumping ability.

The Dark knight also has Martial arts skills that make Bruce Lee look like a choir boy.

He's good at fisticuffs.  No doubt.

He’s good at fisticuffs.
No doubt.

Sorry Mr Lee, but facts are facts. Conveniently karate is one of the Bat’s many Martial styles in his vast arsenal of combat expertise, so check out the Empty hand articles for some bad-ass anti-villain moves.

Stay tuned for more.

Until next time. Stay informed.

To Storm a Castle; Empty Hand Part 4

Following on from Empty Hand Part 3, your friendly neighbourhood Rogue Advisor presents you the with next mighty kata in order of advancement through the formal Karate gradings.

This powerful display of Shotokan prowess does what it says on the tin. This is the Kata you need when you really have to kick seven shade of s**t out of every mother fu**er in the place. Bassai Dai means ‘To Storm a Castle’.

It is the first of two such brutal katas; they do not follow the Embusen or ‘H’ shaped path of the five katas presented in Empty Hand Part 2, but move at varying different angles as if attacking and being attacked by multiple attackers in a close environment.

This s how you do the business D&d style. Non-D7D players will have to use that seldom come by stuff called imagination.

This is how you storm a castle D&D style. Non-D&D players will have to use that seldom come by stuff called imagination. D&D is awesome. Deal with it.

Kata History

Born in 1796, Sokon ‘Bushi’ Matsumura created Bassai Dai, he was a pioneer of the practice and the development of the Okinawan style of Shuri Te. He began his training at the age of 14, by the age of 25 he was acknowledged for his achievements in Martial skill. Matsumura’s combat prowess and fearsome reputation got him a massive promotion as Chief Of Security to the Okinawan King. In effect he was head bodyguard.

An honourable position, but an unenviable one, the Okinawan King was little more than a puppet to the Japanese overlords. It was these same overlords who banned the carrying of weapons on Okinawa, (ironically triggering the birth of both Karate and Kobudo), even the bodyguards to the Okinawan King were not allowed to carry weapons.  Making them the only bodyguards to a head of state in history who were not allowed to carry weapons.

Due to the technology of Japan's' isolation at that time, this is the best picture you're gonna get of him. Deal with it.

Due to the technology of Japan’s isolation at that time, this is the best picture you’re gonna get of him. Deal with it.

In 1853,  Japanese isolationism was forcibly ended by an American fleet led by Commodore Perry.  An often overlooked footnote of history is that Perry stopped at Okinawa merely for supplies, before going to Japan to go about his true business.

Whilst seeming arrogant and headstrong, Perry understood the Japanese mindset at that time. He deliberately set about bullying the unarmed Okinawan’s so that when he arrived at Japan he would bring with him a pugilistic reputation.

The Okinawan’s had no clue as to Perry’s true intentions;  likely, they would have viewed it as an invasion. When Perry led a parade up to the Shuri Castle, (the King’s own centre of government), joined by 2 companies of armed US marines, 50 naval officers, 2 brass bands, and some big f**k you Okinawa cannons from the ships! EEK!

Commodore Perry. A twat. A fat twat. Deal with it.

Commodore Perry.
A twat. A fat twat.
Deal with it.

Despite the odds, a lot of non-Okinawan ass was kicked that day. Perry didn’t attain the reputation he desired. That’s bullying for you.

Everybody working for the King, whether they were a Head Of State or just a Clerk, would be required to be a very competent Martial artist.  If a situation broke out, everybody would be expected to jump in and help out.

It is also known that Matsumura studied psychology diligently; one tale of how another Okinawan already skilled at Karate asked Matsumura to teach him.  Matsumura refused, so the other man challenged Matsumura to a duel.  Matsumura, knowing that the other man was superstitious agreed, but set the time and place for the duel at dawn by a graveyard.

A very spooky setting for a superstitious man.  When they met and confronted each other, Matsumura issued a loud kiai, (shout), and the other man surrendered without a single blow being struck. That is the definition of the art of fighting without fighting, eh?

The sanity of the King of Okinawa was slowly diminishing, he issued a proclamation that Matsumura could defeat a bull without consulting Matsumura. He set a date for the duel. With a freakin’ bull. However, Matsumura knew the keeper of the mighty bovine in question and made an arrangement with him.

This may have been what the bull looked like. Or not. Deal with it.

This may have been what the bull looked like. Or not. Deal with it.

Each night for a week preceding the duel, the bull would be penned up so tight that it could not move.  On the day of the duel, the bull was close to being crippled, the spectators, didn’t seem to realise this was abnormal. The unhealthy bull was  released into the ring; Matsumura glared at the bull, the beast took one look and run away in fear.

During the American bombing on Okinawa in World War 2, most of the records of this time were destroyed. However, the irony of history is that records taken by Perry and his crew during this time gives us all the insight we need. Paintings and photographs taken by Perry’s expedition show that when Perry lead his parade to the Shuri Castle.

So what’s all this got to do with the kata?

OK, back to Bassai Dai

Another, less than 21st Century style portrait. Deal with it.

Another, less than 21st Century style portrait.
Deal with it.

Suckers that ‘we’ are for consistency here at Level Up, once again our instructor will be the Shotokan Karate legend himself

先 生 金 澤 弘 和

Sensei Hirokazu Kanazawa 

Sensei Kanazawa demonstrates a perfect Yoko tobi geri. Deal with it.

Sensei Kanazawa demonstrates a perfect Yoko tobi geri. Deal with it. Bet you can’t.

披 塞 大

Bassai Dai

The Bunkai

That’s right, beloved reader, even though you can clearly see that Sensei Kanazawa had to slow his movements for the audience in the demonstration below, you can clearly see that the bunkai work. At the risk of sounding arrogant, you friendly neighbourhood Rogue Advisor has had to employ these tactics against some of the less desirable denizens of Southend-On-Sea and Hackney, (South-East ‘Brooklyn’ level violence areas, for non-British readers).

 Until next time. Stay tuned for more.

Iron Horse; Empty Hand Part 3

Following on from Empty Hand Part 2, I bring you’re the next kata in order of advancement through the formal Karate gradings. We will only cover one kata in this post as it is technically tricky to learn, and you’ll need to get used to moving like a crab.

鉄騎初段 (ナイハンチ)

Tekki Shodan (Naihanchi)

Woop woop woop. The good Doctor has his own version of the Kiai.

Woop woop woop. The good Doctor has his own version of the Kiai.

Tekki means iron horse. Tekki Shodan is the first of three increasingly complex katas, that are a bit Dr. Zoidberg-ish; they do not follow the Embussen or ‘H’ shaped path of the five katas presented last post but instead move vigorously from side to side. Very crab like but a lot deadlier.

Kata History

The Tekki or Naihanchi, (meaning knight), are Shorei kata. Shorei means slow, strong movement, emphasizing strength. These kata were revised or created by Master Yasutsune Itosu. Master Funakoshi was required to spend three years learning each tekki kata. At that time, students would spend several years learning a single kata, such is the karateka’s dedication to their Martial skill.

Tekki Shodan was originally called Naihanchi and was revised by Master Yasutsune Itosu; Tekki Nidan and Sandan were created by Itosu.The Naihanchi kata is so integral to karate that Kentsū Yabu, Itosu’s student, instructed his own students “Karate begins and ends with Naihanchi”, He put his student under rigorous training, they were instructed to perform the kata 1000 times. If you haven’t got it mastered by then, Karate ain’t for you.

One of the few existing pictures of the geat Karate pioneer. Nice tache Sensei.

One of the few existing pictures of the great Karate pioneer. Nice tache Sensei.

Before Itosu created the Pinan, (Soon to be renamed Heian by Funakoshi), kata; Naihanchi would be taught first in Tomari-te and Shuri-te schools, which indicates its importance. Master Gichin Funakoshi learned the kata from Anko Asato. Funakoshi renamed the kata Tekki (Iron Horse) in reference to his old teacher, Itosu, and the kata’s power.

Motobu Chōki’s writings contain the oldest known reference to the kata. This information comes from books written by himself, in which he states that the kata was imported from China, but is no longer practiced there.

Motobu learned the kata from Sōkon Matsumura, Sakuma Pechin, Anko Itosu and Kōsaku Matsumora. Motobu taught his own interpretation of Naihanchi, which included te, (Okinawan parent of karate), revising some techniques.

Tekki Shodan

Once again our instructor, (in the seventies in these instructional vids. He was only 7th Dan), is.

先 生 金 澤 弘 和

Sensei Hirokazu Kanazawa 

Still ripped from his Karate practice, even in his forties.

Still ripped from his Karate practice, even in his forties.

The Bunkai

As you can see from the bunkai , the real applications of the techniques aren’t as simple as the kata makes them look. This, once again, is because the Okinawans had to practice in total secrecy. Because of this ‘disguise’ karate had to maintain, many think it to be the Dane Cook of Martial arts. Believe in your friendly neighbourhood Rogue Advisor; this is the real deal.

Until next time. Stay informed.

Peaceful Mind; Empty Hand Part 2

Spring is here. Yay. Sort of. It’s been snowing in larcenous old London, but do not despair beloved reader, for like most of you, your friendly neighbourhood Rogue Advisor also has a crappy job which he braves nature’s wrath to attend and pay-day has arrived; and with it more storage space is available to the gradually growing Level Up, and that means videos. Actual Yay. Still no recording studio of our own though. But here’s a little inspiration just to show off the new feature.

Following on from the last instalment of Okinawan bad-assery, your friendly neighbourhood Rogue Advisor thought it only proper to begin assisting all you dedicated KarateKa out there, and padawan beginners with your empty hand techniques. Katas are often overlooked in most Martial training, much to the detriment of the practitioner. Most believe Kata to be nothing  more than a fancy ‘dance’ routine just for show in competition. This is not so beloved reader.

Kata is the original means of cataloguing and practising all of a Martial skill’s techniques in the most efficient way possible. This is even truer of Karate, as it was developed in secrecy at a time when the government had banned the Okinawan people from owning / using any weapons and practising martial arts, thus all they had were their Kata and it had to be super efficient.

松濤館

Shotokan

See! Ratchet performs a perfect tobi mae geri against Thundercracker.

Just to prove that the Autobots practice karate, here is Ratchet performing a perfect Tobi-Mae-Geri against Thundercracker. And it looks like he booted him square in his Decepti-nuts.

Here at Level Up we also like to keep training uber-efficient just like the Okinawan warriors of bygone days. So in this second instalment of Empty Hand we will cover some of the early Katas of the Shotokan Karate system. Why drill yourself over and over again in the same Oi-Zuki, Gedan Barai or Mae Geri, when all those techniques are contained within the Kata. Thus, logic dictates that practicing of the Kata repeatedly, you will be performing all these techniques, with the added bonus of them already being arranged into functional combos. Sweet.

No one is expected to master the Katas through the study of video alone, and holding a 4th Dan ranking myself, I would be happy to arrange a one on one session to help you, beloved reader, to perfect your pugilistic prowess. Due to a crappy 72 work hours per week job, giving me scheduling problems, I will only be able to offer such assistance to London-based L.U.F.A.S. fans. But first it is important to make you budding exponents of unarmed warfare familiar with arguably the greatest living KarateKa.

先 生 金 澤 弘 和

Sensei Hirokazu Kanazawa 

I have had the privilege and honour of training under this incredible Sensei once, many moons ago. This embodiment of Karate perfection will be the instructor in the videos.

This great man is Hirokazu Kanazawa.
I have had the privilege and honour of training under this incredible Sensei once, many moons ago.
This embodiment of Karate perfection will be the instructor in the videos.
He also knew the value of resistance training to increase the power of his techniques.
And as you can see it makes him ripped too.

Kanazawa is one of very few KarateKa still alive that trained with Master Gichin Funakoshi. Born in 1931 in Japan, he began his Martial training Judo. But when he was accepted into University, he witnessed a Karate demonstration by Sensei M. Nakayama. This left a lasting impression on young Kanazawa, he began training under Nakayama’s tutelage straight away, with regular teachings from Sensei Funakoshi.

Within just over one year, he achieved Shodan, (1st degree black belt), in took only three years for him to attain his Nidan and Sandan. Believe me, beloved reader, that’s unprecedentedly quick progression for any KarateKa. Karate Sensei are notoriously fickle about dishing out black belts.

He gained an even more impressive reputation in 1957 when he entered the All Japan Karate Championship tournament. During the contest he broke his wrist and going against medical advice he decided to continue, because his mother was watching, and he didn’t want to disappoint her. He won the final bout like a bad Mo-Fo.

After such success he wanted to teach Shotokan. He completed the extremely rigorous and strict JKA instructor’s programme and was sent off to teach in Hawaii. Five years later in 1966, after establishing Karate in Hawaii, he was sent to Great Britain, where he had to start from scratch to teach a far away Western land that had little knowledge of the Martial skills of the East. Whilst in good old Blighty, he attained his 6th Dan.

All who have met Kanazawa remark upon his charisma, which I can testify to myself. Sensei Kanazawa is not only knowledgeable, disciplined and patient but a very approachable and empathic man. These qualities and his undisputable skill earned him the position of Chief instructor of JKA Europe.

However, in 1977, Kanazawa attained 7th Dan, and was forced into a position that meant he had to leave the JKA, he was just too bad-ass for them. There were fears that his career was over. Thus, in typical Kanazawa style he went ahead and proved to all his critics that they were dicks. He established the SKIF, an organisation that rapidly gained millions of members.

As well as being successful in climbing the ranks of Martial arts greats and establishing Karate around the world, he is also an author, an awesome selection of his works can be found on the SKIF website.

分解

Bunkai

Bunkai is literally translated as ‘analysis’, but as happens so often, much is lost in translation. Bunkai are the applications of the techniques. I will explain as many as possible here, but one on one tuition with yours truly would yield the best results, I would expect no fee for this tuition but would ask that you help popularise the soon to be mighty Level Up Fitness & Skills. Most of the Martial arts masters of the East always been a little bitchy about not revealing their true applications, especially xenophobic towards westerners. Some of the real moves are ‘disguised’, usually through repetition of other moves to hide them. We’ll be covering the true Bunkai as I have been fortunate in whom I’ve studied with, you’ll just have to trust me. Have I misinformed you yet?

This man is 81 years old. And can kick the ass of each and every one of you.

Sensei Kanazawa is 81 years old. And can kick the ass of each and every one of you. With the greatest of ease.

Anyone who trains with Kanazawa, (as I have. Yup I’m gonna keep plugging that), cannot help but be impressed. At his very mature age, he still puts the young-uns to shame. Like Funakoshi and Nakayama before him, he is not just a KarateKa, but also a pioneer, his legacy will live on through generations of KarateKa for eons to come.

The Heian Katas

These Katas are the second five students will encounter, the first  are the Taikyoku Katas, (meaning first clause), Shodan, Nidan and Sandan. They are fairly recent Katas, created to further breakdown the techniques into easier to digest chunks. These Kata are not vital to the syllabus though, as the Heian Katas will ‘break you in’ quite nicely. The name Heian is roughly translated as ‘peaceful mind’. the name comes from the Okinawan saying Heiwa-antei, meaning ‘peace and calm from within’. The name suggests that once mastered, the student can feel confident in their skills and themselves for their discipline, leaving no doubt to their prowess.

The five Katas, were created in 1906, by Sensei Itosu to prepare the student by instilling the specific gross motor skills and body awareness required for the rigours of Karate training. They were originally called the Pinan Katas, and the first and second Katas were reversed. When Sensei Funakoshi brought Karate to mainland Japan, he changed all the names to Japanese.

Most of the Heian Kata follow the same Embussen path, (it looks like an ‘H’), as do the Taikyoku Katas, many Martial skills have historically emulated this path as it allows for turns and dynamic straight manoeuvres. Each Heian Kata gradually introduces new core basics, adding combos and progressing the student to intermediate level. At the time of their creation, the Okinawan people didn’t bother with ranks, Keikogi or the Coloured Obi, so there was no indication of the practitioners skill.

Heian Shodan

The techniques in this first kata are simple enough: Gedan-Barai, Oi-Zuki, Tettsui Uchi, Age Uke and Shuto-Uke. Stances: ZenkutsuDachi and KokutsuDachi.

As you can see from the video, Katas begin and end on the same floor marking. This trains stances and footwork to be perfect. Do not ignore the KIAI points either, they occur to generate extra power for finishing moves.

Bunkai

This is how Sensei Kanazawa applies a Mae Geri. EEK.

This is how Sensei Kanazawa applies a Mae Geri. EEK.

Heian Nidan

Many of the same techniques from Heian Shodan are included here, don’t be dissuaded by the repetition, that’s the point of all this. These Kata will get you primed for advanced kick-assery and even though each kata takes only about a minute to complete, you’ll be pleasantly surprised how knackering it is. This is because it uses anaerobic metabolism. Some techniques are specific to an individual Kata alone, like this one, making them truly centrifugal to training. Thus no handy link for pre-practice of individual moves. The new movements to learn here: Haiwan-Uke /zenwan-hitai-Kamae, (Back of forearm block / forearm forehead posture), Soto-Nagashi Uke / Kentsui-Soto-Mawashi-Uchi, (outside flowing block / outside hammer fist strike), Sokumen-Zuki, (hammer fist block punch), Ryoken-Koshi-Gamae, (both fists one hip posture) and Uraken-Yoko-Mawashi-Uchi / Yoko-Geri-Keage, Shihon-Tate-Nukite and Osae-Uke, (pressing down block), Mae-Geri, Gyaku-Zuki, Uchi-Uke, Morote-Uke, and new stances: Ashi-Dachi, Ashi-Zenkutsu-Dachi.

Bunkai

Heian Sandan

This one has some odd-looking movements, but have faith in your Rogue Advisor, these all have great application and effect. On that same point, do not be dissuaded by how ‘simple’ or even daft some of the moves look; having been practiced in secret during development, they are efficient. The third Kata’s new techniques: Uchi-Uke / Gedan-Uke in Heisoku-Dachi, (inside block / down block in stand to attention stance), ketsui -Yoko-Mawashi-Uchi, (inside hammer fist strike), Ryokan-Ryokoshi-Gamae, (both fists on both hips posture), Fumikomi / Furi-Empi, (stomp kick or thrust step / swinging elbow block), Uraken-Tate-Mawashi-Uchi, (vertical back fist strike), Tsukami-Uke / Oi-Zuki, (grasping punch and lunge punch), Koho-Tsukiage / Ushiro-Empi-Uchi in Kiba-Dachi, (rising punch to rear / backwards elbow strike in horse riding stance), this move uses Yori-Ashi, (sliding), footwork.

Bunkai

Heian Yondan

As you can see, beloved reader, the Martial applications are advancing at a nice manageable rate. The fourth Kata is no exception. Mastering this Kata is part of a 6th Kyu ranking. The initial belt grades count down toward 1st Kyu, the penultimate belt before 1st Dan. The new techniques: Haiwan-Uke /zenwan-hitai-Kamae, (Back of forearm block / forearm forehead posture, as performed in Nidan, but with open hands), Ryokan-Kosa-Uke, (‘X’ shaped block / strike), then we get Ryoken-Koshi-Gamae / Uraken-Yoko-Mawashi-Geri-Keage from Nidan but this time followed by Mae-Empi-Uchi, (elbow strike), and performed on both sides, Ryoken-Kakiwake-Uke, (both fists wedge block / guard), Hiza-Uchi, (knee strike).

Bunkai

Heian Godan

The first new technique is the delightfully named Mizu-Nagare-No-Kamae, (water flowing posture), Ryosho-Juji-Osae-Uke, (both palms pressing ‘X’ block), Uke-Zuki, (block strike), Kake-Uke, (hooking block), Mikazuki-Geri, (crescent kick), Koho-Tsukiage, This is performed in Renoji-Dachi, (rising punch to rear opponent in a stance that looks similar to Ashi-Dachi), and the vicious-Soto-Nagashi-Uke / Shuto-Uchikomi and Uchi-Uke / Mangi-Uke, Jotai-Sonomama / Manji-Gamae, the new stance is Kosa-Dachi. This is a nice Kata, it will really get you primed for the more advanced stuff.

Bunkai

Stay tuned for more

Until next time. Stay informed.

 

Empty Hand

This one is a favourite here at Level Up. Not just because it’s an awesome combat skill, but also because it’s one of the few structured martial arts that doesn’t involve the use of any weapons.

Batman narrowly missies Wolverine with a well formed Yoko tobi geri.

Batman narrowly misses Wolverine with a well-formed Yoko tobi geri.

That’s right, beloved reader, today your friendly neighbourhood Rogue Advisor will be helping you level up your skill in one of the greatest unarmed fighting systems from the east.

Karate

Shotokan to be precise; the unified form of Karate founded by the late, great Gichin Funakoshi. Before we hit the resistance training in all it’s kinesiological glory, let’s get to know more about the art of the empty hand.

The tiger emblem of Shotokan Karate.

Contrary to popular belief Karate is not a Japanese martial skill, it’s Okinawan, but because it has been developed and popularised by Japanese exponents the terminology of the combat sport is now almost exclusively in the Japanese language. It started life called simply ‘ti’, or in Japanese, ‘te’. It’s also not as ancient as many think.

In 1372 trade relationships were established with the Ming Dynasty of China by King Satto of Chūzan. This led to some forms of chinese martial arts being introduced to the Pechin class of the Ryukyu Islands. Given the similarities between them, it is reasonably safe to assume that the Chinese martial arts to influence Karate’s development, Fujian White Crane probably being one of the main culprits. In 1429, however, the political centralization of Okinawan King Shō Hashi brought with it a ban on all weapons, at the time all martial skills were weapon based with little need for unarmed combat to be practiced unless for sport, this was reinforced in after the invasion of the Shimazu clan in 1609. These both played important factors in how Karate and it’s sibling martial art Kobudō evolved. Kobudō is responsible for bringing us delights such as nunchaku, tonfa, , sai and kama. Whilst developed at the same time and for the same reasons, Karate and Kobudō are separate arts but often mis-categorised together.

Funakoshi Sensei getting serious with a Makiwara.

Funakoshi Sensei getting serious with a Makiwara.

During all this developmental chaos, along came Gichin Funakoshi; the father of modern Shotokan. He had trained in both popular styles of that time’s Okinawan karate; Shōrei-ryū and Shōrin-ryū. Funakoshi was quite known for his writing, he was an avid poet and philosopher as well as being a Karate master. In 1939, after many successful years of nurturing his Karate style and teaching a plethora of students, he built the first official Shotokan Dojo in Tokyo.

Shotokan derives its name from Funakoshi’s pen name, Shoto, meaning ‘waving pines’ and Kan means training hall or house. Thus Shotokan’s can be translated as ‘house of Shoto’. He also changed the way the characters for Karate written, from meaning ‘China hand’ to ’empty hand’. The two words sound the same in Japanese but are written differently. It was his belief that the term ‘Chinese’ would be misleading and people would think Karate had originated with Chinese boxing. Funakoshi’s interpretation of the word Kara to mean ’empty’ caused problems for him in Okinawa, thus he remained teaching in Tokyo.

Ryu demonstartes a Soto-uke block whilst in a Kokutsu-dachi stance. Thanks Ryu.

Ryu demonstrates a Soto-uke block whilst in a Kokutsu-dachi stance. Thanks Ryu.

The resistance training

There are a lot of techniques that need augmenting here, but hold faith beloved reader. Your’s truly, holding a 4th Dan in this wondrous discipline, is unabashed in advising you. Unfortunately Level Up is still an impoverished little company, therefore we will have to make use of links to other sites for the time being. Stay tuned though, as Level Up studios will be coming this summer. Yay.

Lunge with twist: These bad boys will be an invaluable help for your stance work, especially with zenkutsu dachi, and the twist at the end will assist in all those gyaku-zuki punches you undoubtedly be drilling endlessly. These don’t have to be practiced with a medicine ball, or any resistance at all.

Leg extension: That’s right, another exercise for the quadriceps, we need them. Powerful legs will accommodate all the tough stances we encounter and even the newest Karate exponent knows that with a good kick you raise the knee first, then extend for maximum power and range.

Reverse-grip chins: Helpful for a fast pull back to launch another kizami/gyaku/oi-zuki punch, and for giving all-round physical development.

Decline press ups: Even though the waist is the prime mover in any punching movement, the pectoralis major  assists in this. So for powering up all our ‘zuki’ moves we’ll be focusing on the clavicular fibres; it’s already much easier to punch godan and chudan heights, so hitting upper chest will add oomph to our jodan height attacks.

Supination curls: The supination movement of these will augment many punches / blocks, whilst working both biceps brachii and brachialis. Nice.

Arnold press: Yes, these are named after Arnold Schwarzenegger. Their pronation / supination movement nicely mimics the twisting, power generating motion of many Shotokan punches and blocks.

Dips: Great for adding punching power and speed. Once again, even though the waist produces the power of the strike the triceps assist the movement by extending the elbow.

Knee raise: Few realise that to get height in a kick, not only do you need flexibility, but well conditioned abs to raise the thigh above waist level. These do the trick nicely in combination with the leg extensions from earlier, we’ve successfully added greater range and power to our kicks.

Standing calf raise: To get the fullest extension on all those mae geri kicks, you will need decent contractile strength in your gastrocnemius. Add resistance to these when you feel comfortable with the movement.

I'm afraid even your friendly neighbourhood Rogue Advisor can't teach you the Hadoken technique.

I’m afraid even your friendly neighbourhood Rogue Advisor can’t teach you the Hadoken technique.

Perform one set of each exercise for as many repetitions as possible, but with perfect technique of course. When you feel you’ve got these sussed, perform them again for a circuit training effect, this will get the heart and lungs pumping nicely as well. Repeat the circuit as many times as desired.

Basic Terminology

Before we delve into the terms and jargon, your friendly neighbourhood Rogue Advisor should give you a quick insight into Japanese language vowel pronunciation.

“a” as in father ; “i” as in feet ; “u” as in flute ;”e” as in bed ; “o” as in okay.

Age Tsuki

Rising punch

 

Age Uke

Rising block

 

Ashi Barai

Foot sweep

 

Awase Tsuki

U-punch

 

Bensoku Dachi.

Cross-legged stance (also female horse stance or Kosa Dachi)

Boshiken Tsuki

Thumb fist

 

Choku Tsuki

Straight punch

 

Chudan

Middle area

 

Chudan Uke

Inside circular block

 

Empi

Elbow strike

 

Fudo Dachi

Free stance

Fumikomi Geri

Stamping kick

 

Furi Tsuki

Circular punch

 

Gedan

Lower area

 

Gedan Barai

Downward block

 

Gedan Uchi Barai

Outside downward block (open hand)

 

Go

Five

 

Goju

Fifty

 

Gyaku Mawashi Geri

Reverse round house kick

 

Gyaku Tsuki

Reverse punch

 

Hachi

Eight

 

Hachiji Dachi

Natural stance (feet shoulder width apart, toes pointed slightly out)

Hachiju

Eighty

 

Haisoku Barai

Instep block

 

Haisoku Geri

Kicking with the instep

 

Haito Uchi

Ridge hand strike

 

Hajime

Begin

 

Han Zenkutsu Dachi

Half front stance

Hasami Tsuki

Scissors punch

 

Heiko Dachi

Parallel stance (feet shoulder width apart)

Heiko Tsuki

Parallel punch

 

Heisoku Dachi

Closed foot stance (feet together)

Hidari

Left

 

Hiji Uchi

Elbow strike

 

Hiji Uke

Elbow block

 

Hiki Uke

Pulling/grasping block

 

Hiza Geri

Knee kick (also called Hiza Ate)

 

Hiza Uke.

Knee block

 

Hyaku

One Hundred

 

Ichi

One

 

Jodan

Upper area

 

Jodan Uke

Upward block

 

Ju

Ten

 

Kagi Tsuki

Hook punch

 

Kaikoken Tsuki

Crab shell fist

 

Kakato Geri

Heel kick

 

Kama-De

Bear hand

 

Kamae

Ready and alert

 

Kanketsu Geri

Stamping kick, joint kick

 

Keikoken Tsuki

One knuckle fist

 

Kiba Dachi

Horse riding stance

Kime

Focus

 

Kizami Tsuki

Leading punch, or jab

 

Ko Uchi

Bent wrist strike

 

Ko Uke

Wrist block

 

Kokutsu Dachi

Back stance

Kosa Uke

Cross block

 

Kote Uchi

Forearm strike

 

Ku

Nine

 

Kuju

Ninety

 

Kumite.

Sparring

 

Mae Geri Keage

Front snap kick

 

Mae Geri Kekomi

Front thrust kick

 

Mae Tobi Geri

Jumping front kick

 

Mawashi Geri

Round house kick

 

Mawashi Tsuki

Round hook punch

 

Mawashi Uke

Round house block

 

Migi

Right

 

Migi Heiko Dachi

Right foot forward Heiko Dachi

Morote Uke

Augmented block

 

Musubi Dachi

Formal attention stance (heels together, feet at an angle)

Nagashi Tsuki

Flowing punch

 

Nagashi Uke

Sweeping block

 

Naihanchi Dachi

Kiba Dachi with the heels out and toes in

Nakadaka Ken

Middle finger knuckle fist

 

Nanaju

Seventy

 

Naname Shiko Dachi

Diagonal straddle leg stance

Neko Ashi Dachi

Cat foot stance

Ni

Two

 

Nidan

Second dan

 

Nidan Geri

Double front snap kick (back leg first)

 

Nihon Tsuki

Double punch

 

Niju

Twenty

 

Nukite Tsuki

Finger thrust or spear hand

 

Oi Tsuki

Lunge punch

 

Randori

co-operative sparring

 

Rei

Bow

 

Ren Geri

Double front snap kick (front leg first)

 

Renoji Dachi

The letter “Re” stance (or “L” stance)

Roku

Six

 

Rokuju

Sixty

 

Sagiashi Dachi

Heron stance

San

Three

 

Sanbon Tsuki

Triple punch

 

Sanchin Dachi

Hourglass stance

Sandan

Third Dan

 

Sanju

Thirty

 

Seiken Tsuki

Fore fist strike

 

Sesan Dachi

Side facing straddle stance

Shi

Four

 

Shichi

Seven

 

Shiko Dachi

Straddle leg stance

Shodan

First Dan

 

Shotei Otoshi Uke

Open hand dropping block

 

Shotei Tsuki

Palm heel thrust

 

Shotei Uchi

Palm heel strike

 

Shotei Uke

Palm heel block

 

Shuto Uchi

Knife hand strike

 

Shuto Uke

Knife hand block

 

Sokutei Harai Uke

Sole of the foot block

 

Sokutei Osae Uke

Pressing block with the sole of the foot

 

Sokuto Geri

Kicking with the foot edge

 

Soto Uke

Outside forearm  block

 

Sukui Uke

Scooping block

 

Tate Tsuki

Vertical punch

 

Tettsui Uchi

Bottom fist strike (or hammer fist strike)

 

Tobi Nidan Geri

Jumping double kick

 

Tsumasaki Geri

Kicking with the tips of the toes

 

Uchi Hachiji Dachi

Natural stance with heels out and toes in

Uchi Uke.

Inside forearm block

 

Ura Tsuki

Short punch (palm side up)

 

Ura Uke

Back hand block

 

Uraken Uchi

Back fist strike

 

Ushiro Geri

Back thrust kick

 

Ushiro Mawashi   Geri

Round house to the rear kick

 

Washi-De

Eagle hand

 

Yama Tsuki

Mountain punch

 

Yame

Stop

 

Yoi

Ready

 

Yoko Geri Keage

Side snap kick

 

Yoko Geri Kekomi

Side thrust kick

 

Yoko Tobi Geri

Jumping side thrust kick

 

Yoko Uke

Circular block

 

Yondan

Forth Dan

 

Yonju

Forty

 

Zenkutsu Dachi

Front stance

Stay tuned for more

Until next time. Stay informed.

 

Addressing the Target

There should be a boom in this wonderous and deliciously roguish art given recent TV programming and RPG rogue and / or ranger enthusiasts should start their larceny and / or geekiness glands pumping.

Oliver Queen. If you haven't seen the show simply titled 'Arrow', then I suggest you do so immediately.

This is Oliver Queen.
If you haven’t seen the show simply titled ‘Arrow’, then I suggest you do so immediately. Now.

That’s right, beloved reader, today your friendly neighbourhood Rogue Advisor will be taking you through kinesiological attribute enhancement for the noblest and most dextrous form of marksmanship.

Archery

So what makes a good archer? The same mighty stuff as any other athlete; firstly knowledge in one’s chosen art, then the discipline to apply the know how, followed by the hard work to see it all through to fruition.

We wont be going too deep into technique; trying to teach someone the finer points of archery from a blog would be like trying to teach a vegan how to prepare Halal. Therefore, beloved toxophilite, we will cover the very basics and then the juicy kinesiology. Yay.

1 – Stance: Stand perpendicular to your target, feet roughly shoulder width apart and straddling the shooting line. Balance your weight evenly over both feet, maintaining perfect posture but don’t stiffen your spine, it will need to remain flexible to absorb recoil. Place your back foot parallel with the line and angle the forward foot slightly toward the target whilst keeping a little slack in the knees.

2 – Nock: Sounds simple but there is a technique to this, all these stages matter. Nocking the arrow is the part where you place it against the bow-string and also preparing to draw. Be  sure that the index feathers point away from the bow, lay the arrow itself upon the arrow-rest, then snap the nock onto the bow-string under the nocking point. Simple. This process guarantees a consistent draw every time, assisting accuracy. Once your set, take the string in the first joint of the first three fingers of the drawing hand.

3 – Pre-draw: Raise the bow towards the target and lock the extended bow arm into position.

At a point like this you'll really want to be drawing faster. With enough practice it'll all happen in a flash.

At a point like this you’ll really want to be drawing faster. With enough practice it’ll all happen pre-trampling / goring rather than post mutilation.

4 – Draw: This is where the kinesiology comes in; pushing with the tricep of the bow arm and pull back with the latissimus dorsi, posterior deltoid and outer head of the biceps brachii of the drawing arm until the bow-string touches your nose and lips. Your elbow should stop behind and slightly above your shoulder, putting the resulting muscular tension on the mid-trapezius fibres.

5 – Anchor: The final stage of a correctly performed draw sequence. In the anchoring stage the drawing hand comes to rest against your face before aiming and releasing. The anchor point can be either the chin or cheek, whichever you feel most comfortable with.

6 – Aim: This really cannot be instructed, it will become second nature over time. Try to align the bow-sight with the target and try to factor in wind, distance and drift.

7 – Release: Squeeze all those muscles tight that you now are working to hold the position, open the drawing hand and let that arrow fly.

8 – Follow through: When the arrow leaves the bow, continue pulling the drawing hand along the base of your neck and allow the bow to move forward in your bow-hand. Then inspect your handy-work.

Hawkeye demonstrates the stance and by proxy those muscles used when performing it, that we will be focusing on.

Hawkeye demonstrates the stance and by proxy those muscles used when performing it. That’s what we will be focusing on.

The supplementary workout

Because that’s what it is. When you are training for a skill such as archery, the resistance training is an added bonus to hours of technical drills and target practice. This routine would be best practiced only once or twice per week, and not on consecutive days. Why are we focusing on enhancing the above stance? Because pulling back a bow-string isn’t an easy task, then to keep it steady whilst aiming is even harder. Therefore, beloved reader, we are strengthening the muscles involved so the archer themselves can maintain the stance for extended periods, allowing longer to aim with fresh perspective and therefore greater accuracy. Logic. Follow the handy links for exercise instruction, (sorry but Level Up still is bereft of recording equipment; stay tuned), and perform two to three sets of each.

Seated cable rows, (with isometric contraction): We begin the workout with focus on the lats and the mid-trapezius; they are doing the greatest deal of work. First the lats are the prime movers in pulling the bow-string back with the hands somewhere between a supinated and pronated grip, thus the choice of grip on the exercise. Once back there though, the mid-trapezius is holding everything steady for as long as it takes to make the shot. That’s where isometrics comes in handy, at the peak of each concentric movement hold that position of two seconds before repeating the movement; really focusing on the mid-trapezius. Go comfortably heavy on these; enough weight to manage 10 to 12 reps with perfect form.

Bent-over dumbbell flye: Next is the rear head of the deltoids. It has already been assisting the lats and traps on the pull, now we want them to become inexhaustible pillars of contraction. Be really carefull with form on this movement, keeping the lower back perfectly straight and be sure not to cheat / swing the weight up into position. Mid to light weight with these, perform around 12 to 15 reps on this movement.

Dips, (with isometric contraction): The tricep of the extended arm is stabilising the bow, thus we need to work the three-headed rear of the arm muscle with isometric work. Pause and hold at the lowest point of the dip, the mid-point of the movement and at full extension for 10 seconds. This tactic essentially takes the plyometric effect out of the equation, forcing the triceps to become stabilizing machines. Nice. Only perform one set of these for as many reps as possible.

Concentration curls: Just as the triceps have three ‘heads’ that make up the whole muscle group, biceps have two distinct ‘heads’. We will be focusing on the long head, (outer head), that is also assisting with our bow-string pulling. Go super light on these, they are the proverbial cherry on the kinesiology cake and nothing more. Aim for 12 to 15 reps.

Cable twists: Once the bow-string is pulled all the way back, any further turning to aim is done by the transverse abdominus. This little number will not only make the action of turning to aim quicker and easier, it’ll tone the waistline to heroic slimness. Sweet.

Note that it’s not a full body workout, that would be entirely up to the individual archer whether or not they wish to pursue such levels of fitness. This supplementary workout is intended to strengthen basics.

Hopefully you feel a little more ballistically inclined.

Hopefully you feel a little more ballistically inclined.

Terminology

Just to keep things concise and informative, beloved reader, I present the terminology of this fine skill in all it’s medieval jargonified glory.

  • Addressing the Target: The archer’s stance straddling the shooting line prior to shooting the arrow.
  • Aim: Visually lining up a sight pin to the center of the target; if a sight is not used, visual placement of the tip of the arrow on a specific point while shooting at a target over a given distance.
  • Anchor Point: The fixed position of the bowstring hand on the jaw or cheek while holding or aiming.
  • Archer’s Paradox: Situation in which the arrow flies in the direction aimed although its initial movement is in a different direction.
  • Arm Guard: Device worn on forearm and wrist areas of the bow arm to protect the arm from impact.
  • Arrow Plate: The piece to which the arrow rest is attached.
  • Arrow Rest: Device mounted just above the arrow shelf on the bow on which the arrow rests during draw, hold and release.
  • Arrowsmith: Individual specializing in making arrows and/or arrowheads.
  • Back: The side of the bow limb away from the string.
  • Bare Bow: Method of shooting which does not use a bow sight.
  • Billet: One of two short pieces joined at the handle to make a bow.
  • Blunt: Arrow with a blunt tip for use on small game.
  • Bow Arm: The arm in which the bow is held.
  • Bowyer: One who makes bows.
  • Brace/String Height: Distance between the pivot point of the bow and the string. AKA: Fistmale.
  • Bracing: Process of stringing the bow in preparation for shooting, by placing the bowstring loops into position in the notches of the bow.
  • Bull’s Eye: The center of the target or that part of the target face with the highest scoring value.
  • Butt: A mound of straw on which the target face is placed.
  • Cast: the speed with which an arrow is shot.
  • Clout: Shooting at a relatively long distance at a large target lying, or painted, flat on the ground.
  • Composite Bow: Bow composed of two or more materials, such as wood and fiberglass. Invented by H.W. Allen in 1966, designed with an eccentric pulley system to maximize pull weight poundage at mid-draw and minimize stacking at full draw.
  • Bow Creeping: Undesired forward motion of the bowstring from the anchor point immediately prior to release.
  • Crest: Colored bands on the arrow used to identify a set.
  • Director of Shooting: The individual in charge of shooting. AKA: Field Captain; Lady Paramount.
  • Double Round: Shooting the same round twice.
  • Draw: The process of moving the bowstring with nocked arrow from brace height to the archer’s anchor point on the face.
  • Drift: Deviation in the flight of an arrow due to wind.
  • End: A set number of arrows which are shot before going to the target (typically 3, 5, or 6) to score and retrieve them.
  • Face: The side of the bow nearest the string. AKA: Belly.
  • Finger Tab: Leather device worn to prevent blistering on the surface of the three drawing fingers.
  • Fletching: The stabilizing feathers attached to an arrow between the nock and crest. See vane.
  • Follow-Through: The act of holding the release position until the arrow has struck the target.
  • Freestyle: Style of shooting using a bow-sight.
  • Flu-Flu: An arrow with large or spiraled fletchings, which increase drag and reduce the arrow’s range.
  • Grip/Handle: The center portion of the bow where the hand exerts pressure during the draw.
  • Grouping: The arrangement of the end of arrows on the target face after they have been shot.
  • Hanging Arrow: An arrow that does not penetrate the target, but dangles from its point.
  • Hen Feathers: The two feathers on either side of the index feather. Traditionally, these feathers are not as flamboyant as the index feather.
  • Hit: An arrow which embeds itself within one of the scoring areas on the target face.
  • Holding: The act of maintaining the bow and arrow in a stable position at full draw prior to release.
  • Index Feather: The feather at right angle to the slit in the nock of the arrow and usually a different color from the remaining feathers. AKA: cock feather.
  • Kick: When the bow shoots with a jar to the bow hand.
  • Kiss Button: A contact point on the bowstring for the archer’s lips to touch as to insure consistency and accuracy of the anchor point.
  • Let Down: Releasing tension after drawing without releasing the arrow.
  • Limbs: The energy-storing parts of the bow located above and below the riser.
  • Longbow: A long, relatively straight bow that preceded the recurve bow in many cultures.
  • Nock: Device on the end of the arrow opposite the point, made with a groove for holding the arrow to the bowstring when placed in position for shooting.
  • Nocking: The technique of placing the arrow on the bowstring in preparation for shooting.
  • Nock Locator: The stops on the serving of the bowstring which mark the nocking point for the arrow.
  • Nocking Point: The position on the string where the arrow is placed. Typically marked by the nock locator.
  • Notch: The slits at the ends of the bow for the string.
  • Overdraw: Drawing the arrow beyond the face of the bow or drawing the bow to its point of maximum stress on the limbs.
  • Peeking: Undesired motion of the archer’s head at time of release in an attempt to follow the arrow trajectory into the target.
  • Plucking: Undesired lateral motion of the string hand and arm away from the bowstring at time of release.
  • Point/Pile: The tip of the arrow that pierces the target. Classifications include: target; field; broadhead; and blunt.
  • Point-Blank Range: Distance at which the archer may utilize the center of the target as an aiming point.
  • Point-of-Aim: A technique, whereby the archer uses a mark unattached to the bow and usually on the ground as an alignment point.
  • Pressure Point: Place on the arrow plate against which the arrow lies and exerts pressure when the arrow is released. It can be cushioned or spring-loaded.
  • Quiver: Any device designed to hold arrows not being shot.
  • Range: Area designated for target or field archery.
  • Rebound: An arrow that bounces off the target face.
  • Recurve Bow: Bow manufactured so the ends of the limbs deflect toward the back of the bow to increase leverage when the bow is braced.
  • Release: The act of putting the arrow into flight due to a release of pressure on the bowstring. AKA: Loose.
  • Riser: The areas of the bow just above and below the grip.
  • Round: Term used to designate the number of arrows to be shot at specific distances at specific target faces or targets.
  • Self Bow: A bow made of one piece of wood or raw material.
  • Serving: Protective thread wrapped around the bowstring where the arrow is nocked.
  • Shaft: The body of the arrow upon which the nock, fletching, and point are mounted, and the crest is printed.
  • Shooting Line: The line straddled by archers during shooting which indicates a specific distance from the target in target archery.
  • Sight/Bow-sight: Adjustable device attached to the bow which facilitates the aiming process for the archer.
  • Skirt/Petticoat: The outermost perimeter of the target face outside the scoring area.
  • Spine: The measured deflection of an arrow when depressed by a two-pound weight at its center.
  • Stabilizer: Weighted device added to the riser of the bow and designed to reduce torque and absorb shock upon release.
  • Stacking: Disproportionate increase in bow weight during the last few inches of the draw.
  • Stave: Full-length piece of wood used to make a bow.
  • Tackle: Equipment used by an archer.
  • Target Captain: Individual at each target designated to determine and call the score of each arrow and pull them from the target.
  • Target Face: The scoring area of the target.
  • Tiller: Device for holding the bow at draw and to inspect the curvature.
  • Toxophilite: Individual pursuing the sport of archery, as a participant and/or student.
  • T-Square: Device used to measure brace height and locate the nocking point on the bowstring.
  • Trajectory: The parabolic flight pattern of an arrow following release.
  • Tuning: Adjustment of arrow rest, pressure point, string height and nocking height to improve arrow flight; includes determination of correct spine.
  • Vane: A term used most commonly when fletching is made of plastic or rubber instead of feathers.
  • Weigh/Draw Weight: The bow manufacturer’s determined number of pounds required to draw each bow’s string at a given draw length.
  • Windage: The effect of wind on the arrow’s flight.
  • Window: Viewing space between the side of the bow and the string at full draw.
You should now feel able to select a perk. Yay.

You should now feel able to select a perk. Yay.

Until next time. Stay informed.